So, you’re thinking about investing in urban art collections? Welcome to the wild, colorful, and sometimes downright rebellious world of street art. It’s not just spray cans and walls anymore. Urban art has morphed into a serious asset class, and if you play your cards right, it could be your ticket to both cultural cred and financial gain. But how do you navigate this vibrant maze? Let’s break it down. Why Urban Art Investment Is More Than Just a Trend Urban art isn’t your grandma’s oil painting. It’s raw, it’s edgy, and it’s screaming to be noticed. But here’s the kicker - it’s also increasingly valuable. Think Banksy, Shepard Fairey, or KAWS. These artists started on the streets and now their works fetch millions at auctions. Why the surge? Urban art captures the zeitgeist. It’s a mirror reflecting social issues, politics, and pop culture. Plus, it’s accessible. You don’t need a white-walled gallery to appreciate it. This accessibility means a broader audience, which translates to a growing market. Practical tip: Start by following emerging artists on social media and local urban art festivals. They’re the ground zero for spotting the next big thing. How to Spot a Worthy Urban Art Investment Not all street art is created equal. Some pieces will appreciate, others might just fade into obscurity. So, what’s the secret sauce? Artist Reputation: Look for artists with a growing following and critical acclaim. But don’t just chase the big names. Emerging artists can offer better entry points. Authenticity: Provenance is king. Make sure the piece is authentic and, if possible, comes with documentation. Condition and Medium: Urban art can be ephemeral. Pieces on canvas or other durable materials tend to hold value better than those on walls destined for demolition. Cultural Relevance: Art that speaks to current social or political themes often has staying power. Remember, investing in urban art is a bit like dating. You want to be smitten, but also smart. Navigating the Market: Where and How to Buy Urban Art Ready to buy? Here’s where things get interesting. Urban art lives in a hybrid space between underground culture and mainstream art markets. Galleries and Exhibitions: Places like Rising Gallery are becoming hubs for cutting-edge international street art. They offer curated collections and expert advice. Art Fairs and Festivals: Events like POW! WOW! or Art Basel’s urban art sections are goldmines for discovering fresh talent. Online Platforms: Websites dedicated to urban art sales provide convenience but require due diligence. Direct from Artists: Sometimes the best deals come straight from the source. Follow artists on social media and attend their shows. Pro tip: Build relationships with gallery owners and artists. Networking can unlock exclusive opportunities. Protecting Your Urban Art Investment You wouldn’t leave a diamond ring in a sock drawer, right? Urban art needs care too. Proper Framing and Display: Use UV-protective glass and acid-free materials. Climate Control: Avoid extreme temperatures and humidity. Insurance: Get your collection appraised and insured. Documentation: Keep all certificates, purchase receipts, and provenance records safe. Urban art can be fragile, but with the right care, it can become a lasting treasure. The Future of Urban Art Collections: What’s Next? Urban art is evolving fast. Technology is shaking things up with digital street art and NFTs entering the scene. But the core remains the same - art that speaks to the streets and the people. For collectors, this means staying curious and adaptable. Keep an eye on global trends, emerging artists, and new mediums. The market is expanding, and so are the opportunities. If you want to dive deeper, Rising Gallery is a fantastic resource for discovering diverse global artists and making this vibrant art form accessible to a wider audience. Making Your Move: Start Your Urban Art Collection Today So, what’s stopping you? Urban art investment is not just about money. It’s about passion, culture, and being part of a movement. Whether you’re hunting for that next Banksy or supporting a local legend, the journey is as thrilling as the destination. Remember, every piece you collect tells a story - your story. So grab that spray can of opportunity and start painting your investment portfolio with urban art. Happy collecting!

Echoes  at Rising Gallery explores what remains after the first impact—after the image is made, after the message is delivered, after the moment has passed. The exhibition brings together works that operate like afterimages: fragments, repetitions, and returns that linger in the mind and reappear in the street. Across painting, works on paper, and mixed media, Echoes  traces the way contemporary urban imagery travels—how a mark becomes a symbol, how a symbol becomes a story, and how that story changes hands as it moves through public space. These pieces are not fixed statements; they’re signals. They reference what came before while insisting on the present. Rising Gallery presents Echoes  as an invitation to look twice. To notice the residue: the humor, the tension, the critique, the tenderness. In a culture of fast consumption, this exhibition asks for a slower kind of attention—one that recognizes that the most powerful images don’t end when you walk away. Echoes  is the sound of the street continuing indoors—reverberating, reframing, and refusing to fade. If you would like a catalog of all works available, reach out to us. The catalog will be released on Friday, the 13th, at noon (mountain time).

Let’s cut to the chase. Modern art isn’t just about splashes of paint on a canvas anymore. It’s a wild, vibrant beast that’s constantly evolving, especially in the street art world. If you’re into collecting or investing in street art, or just love the buzz of fresh, edgy creativity, you’re in the right place. I’m here to spill the beans on the latest modern art trends shaking up the scene right now. The Pulse of Modern Art Trends: What’s Driving the Buzz? Modern art trends are like the weather - unpredictable but fascinating. Right now, the street art scene is buzzing with a few key movements that are impossible to ignore: Interactive murals : Art that talks back. Literally. Think QR codes, augmented reality, and pieces that change with the viewer’s perspective. Eco-conscious art : Artists are using recycled materials and themes of sustainability to make bold statements. Cultural fusion : A melting pot of styles and traditions, blending global influences into one vibrant tapestry. Tech meets tradition : Digital art and classic graffiti collide, creating hybrid masterpieces. Why does this matter? Because these trends reflect the world we live in - fast, connected, and deeply aware of social issues. For collectors, this means art that’s not just beautiful but meaningful and future-proof. The Rise of Interactive and Immersive Street Art Remember when street art was just spray paint and stencils? Those days are fading fast. Today’s artists want you in their work. Interactive murals are popping up everywhere, inviting viewers to engage, explore, and even become part of the art. Take, for example, murals that incorporate augmented reality (AR). You scan a code with your phone, and suddenly, the wall comes alive with animations or stories. It’s like stepping into a comic book or a video game, but on your city street. This trend is a game-changer for collectors and investors. Pieces that offer an experience, not just a visual, tend to hold their value better. Plus, they’re a magnet for social media shares, boosting the artist’s profile and the artwork’s desirability. Eco-Art: When Sustainability Meets Street Style Here’s a trend that’s as important as it is cool. Eco-conscious art is making waves, with artists using recycled materials, natural pigments, and themes that shout out environmental awareness. Why should you care? Because art that speaks to global concerns resonates deeply with today’s buyers. It’s not just about owning a piece of art; it’s about owning a piece of a movement. Some artists are even planting seeds in their murals - literally. Walls covered in moss, flowers, or biodegradable paint that changes with the seasons. It’s art that lives and breathes, reminding us of nature’s fragility and beauty. Cultural Fusion: The Global Remix of Modern Art Street art has always been a melting pot, but now it’s more global than ever. Artists are blending styles from different cultures, creating pieces that are rich, layered, and full of stories. Think African patterns meeting Japanese calligraphy, or Latin American colors mixed with European surrealism. This fusion creates art that’s fresh, unpredictable, and deeply personal. For collectors, this means discovering unique pieces that stand out in any collection. It’s also a chance to support artists who are bridging cultural gaps and telling stories that matter. Tech and Tradition: The New Graffiti Frontier Graffiti has been the rebellious cousin of the art world for decades. Now, it’s evolving with technology. Digital graffiti, projection mapping, and even NFTs are entering the scene, blending old-school spray paint with new-school tech. This hybrid approach is exciting because it respects the roots of street art while pushing boundaries. Imagine a classic graffiti piece that also exists as a digital collectible, or a projection that animates a mural at night. For investors, this opens up new avenues. You’re not just buying a wall anymore; you’re buying a multi-dimensional experience that can live online and offline. What This Means for Collectors and Investors So, what’s the takeaway? Modern art trends are about more than just aesthetics. They’re about interaction, sustainability, cultural dialogue, and technology. If you’re looking to build a collection or invest wisely, keep these trends on your radar. Look for artists who innovate - those who blend mediums or use new tech. Consider the story behind the art - pieces with a message tend to age well. Think about the experience - interactive and immersive works have staying power. Support eco-conscious creators - their work is increasingly in demand. Remember, the art world is a living, breathing ecosystem. Trends come and go, but the pieces that capture the spirit of the times? They become legends. The Future of Street Art: More Than Just Walls Street art is no longer confined to walls and alleys. It’s moving into galleries, digital spaces, and even public installations that change the way we experience cities. Rising Gallery, for instance, is on a mission to bring this vibrant, international street art scene to a wider audience. By showcasing diverse global artists, they’re making sure that this dynamic art form is accessible and appreciated everywhere. So, whether you’re hunting for your next big find or just soaking in the culture, keep your eyes peeled. The future of modern art is bright, bold, and bursting with surprises. There you have it - a whirlwind tour of the current modern art trends shaking up the street art world. It’s a wild ride, but one worth taking if you want to stay ahead of the curve and maybe snag a masterpiece or two along the way.

As we get closer to the holiday season, we are closing the exhibition year with " Under $200", an exhibition featuring some of the best European stencil artists making a new narrative. The exhibition will be held November 14th, 4 to 9pm at our space. The majority of artwork on display is $200 or less, is a collectors dream and a fantastic holiday giveaway and the perfect scenario for new collectors looking at a bargain. Limited edition prints and originals are available. The exhibition features Rob Parkes, Falco Crea, Trust Icon, Jboy, Sc, Mas vandal, Nme, Barry Boem,, Neverwork, Banga, Pixel Punks, Baranksy and more New to our space is Pixels Punks, a duo out of London, as they stated: " We quickly learnt back in the day that we couldn't Breakdance, we couldn't Rap but we could draw". Our love of Graffiti and Street Art soon became our new thing! Known more for our corporate branding work, we decided to explore with a new vision of 'creating urban artwork across all dimensions' and wrote the name PIXELPUNKS down on a beer mat. The rest is Anarchy! Banga , is another UK artist from London and his work is literally blasted all over the old continent, juxtapositions of stencil and pop art meets raw spray paint. Fatin Rahmoudi is a German artist with Arabic roots. She grew up in an advertising agency and by surrounding herself with international and creative people, she discovered her love for contemporary art at an early age. Rahmouni graduated her studies with a Bachelor of Arts and worked as a designer for several years, which has helped her develop her passion for art even deeper. She moved through the full range of artistic possibilities and devoted herself passionately to every new work of art. Fatin immerses herself in a calm, prejudice-free zone, in which she tries not only to surprise the audience, but also to stimulate thought through hidden messages. Baranksy , is a multi media Turkish artist residing in Paris, is gaining momentum, most recently he exhibit among high European peers attached to Banksy, his work has mature combining dramatic elements under the grey Parisian underpasses. WIT , is a new name, disperse, hard to find and completely unknown, so we are delighted to be receiving some of his artwork soon.

in a times of turmoil, there is plenty topics our current bubble of media doesn't cover; art is no exempt. Content creation is highly edited, is manipulated for mass consumption. Is a funnel of candy cane flaking away. As a gallery mission, is our intent to be a channel, we are not an interior decorator trying to match your couch and our curational abilities bring voices with an intended message, we are what seems to be a lost connection between paint and a covered bubbled reality which media doesn't want you to pay attention to. We have flowers of pure love, always protesting a war, we have hard stencil lines carved in impressions, spitted, sputtered and splattered. As this year comes closer to an end, beyond the turmoil, the conspiracy, the tyranny, the nearly repeated history, we have a new exhibition at hand that speaks volumes and intends to bright your walls. Buy the art, then buy everything else, the rivets of your couch wont start a conversation. Under $200 is not a cheap show, is a portal to new art enthusiasts, avid collectors and reality thinkers. Opens tonight at 6pm.

Denver. The Mile High City. Known for its mountains, craft beer, and yes, a seriously buzzing art scene. But if you think Denver’s art world is just about dusty old paintings in quiet rooms, think again. This city is alive with color, edge, and a pulse that beats to the rhythm of street art, contemporary galleries, and exhibitions that make you stop, stare, and maybe even rethink what art should be. Let’s dive headfirst into Denver’s art gallery scene, with a special spotlight on the vibrant Denver art exhibitions that are turning heads and shaking up the status quo. Why Denver Art Exhibitions Are a Big Deal Right Now You might ask, “Why Denver? Why now?” Well, Denver’s art scene has exploded in recent years. It’s not just a local secret anymore. The city has become a magnet for artists, collectors, and investors who crave something fresh, something raw, something that breaks the mold. Denver art exhibitions are no longer just about showcasing art. They’re about creating experiences. Imagine walking into a gallery where the walls themselves seem to breathe, where every piece tells a story that’s as much about the city as it is about the artist. From immersive installations to bold street art-inspired canvases, these exhibitions are redefining what it means to engage with art. And here’s the kicker: these exhibitions are accessible. You don’t need a private invite or a fat wallet to get in on the action. Many galleries host free or low-cost events, opening their doors wide to anyone curious enough to step inside. Tip: Keep an eye on local event calendars and gallery websites. Many Denver art exhibitions rotate frequently, so there’s always something new to discover. The Heartbeat of the Scene: Where to Find the Best Denver Art Exhibitions If you want to catch the pulse of Denver’s art world, you need to know where to look. The city’s art exhibitions are scattered across neighborhoods, each with its own vibe and flavor. RiNo (River North Art District): This is the crown jewel of Denver’s art scene. Formerly an industrial area, RiNo has transformed into a playground for artists. Walls are canvases, warehouses are galleries, and every corner bursts with creativity. Expect to find everything from massive murals to intimate gallery shows here. Santa Fe Arts District: A bit more traditional but no less exciting. This district hosts monthly art walks where galleries open their doors late, and the streets fill with art lovers. It’s a great place to discover emerging artists and snag unique pieces. Golden Triangle Creative District: Home to museums and galleries, this area blends the old with the new. It’s perfect for those who want a mix of classic and contemporary art exhibitions. And if you’re hunting for that perfect piece or just want to soak in the vibe, don’t miss the art gallery denver scene that’s pushing boundaries and spotlighting international street art like nowhere else. Is There an Art District in Denver? Absolutely. Denver’s art districts are the lifeblood of its creative ecosystem. The RiNo Art District, in particular, is the poster child for urban art revival. It’s where gritty meets glam, and where street art isn’t just tolerated—it’s celebrated. RiNo’s streets are an open-air gallery. Murals by local legends and international artists cover every available surface. Walking through RiNo feels like flipping through a living art book, each page more surprising than the last. But it’s not just about the walls. RiNo’s galleries host exhibitions that challenge norms and invite dialogue. You’ll find everything from avant-garde installations to pop-up shows that disappear as quickly as they arrive. Pro tip: Visit during the First Friday Art Walk. Galleries open late, food trucks line the streets, and the energy is contagious. How to Navigate Denver’s Art Scene Like a Pro Feeling overwhelmed? Don’t worry. Navigating Denver’s art scene is easier than you think. Here’s a quick guide to make your art adventure smooth and rewarding: Plan Ahead: Check gallery websites and social media for exhibition schedules. Many shows are temporary, so timing is everything. Join Art Walks: Monthly art walks in RiNo and Santa Fe are perfect for sampling multiple galleries in one go. Talk to the Curators: Don’t be shy. Gallery staff and curators love sharing stories behind the art. You’ll get insider info and maybe even a tip on upcoming shows. Bring a Sketchbook or Camera: Inspiration strikes fast. Capture your favorite pieces or jot down ideas. Support Local Artists: Buying art directly from galleries or artists helps keep the scene vibrant. And if you’re serious about street art, Rising Gallery is a must-visit. They specialize in cutting-edge international street art, making it accessible to collectors and enthusiasts alike. What Makes Denver’s Art Scene Unique? Here’s the thing about Denver: it’s a city of contrasts. Mountains meet urban sprawl. Old meets new. Tradition meets rebellion. This duality is what makes its art scene so compelling. Denver’s galleries don’t just display art; they tell stories of transformation, identity, and community. Street art, in particular, is a powerful voice here. It’s raw, unfiltered, and often political. It challenges viewers to think differently. Plus, Denver’s art scene is inclusive. It embraces diversity in style, medium, and message. Whether you’re into graffiti, sculpture, digital art, or classic paintings, you’ll find a home here. Fun fact: Denver hosts several art festivals throughout the year, including the Denver Arts Festival and Crush Walls, a street art festival that brings global artists to paint massive murals. Ready to Dive In? Denver’s art gallery scene is a playground for the curious and the bold. Whether you’re hunting for your next investment piece or just want to soak in some serious creativity, this city delivers. So, grab your walking shoes, your open mind, and maybe a friend who appreciates a good mural. Denver’s art exhibitions are waiting, and trust me, you don’t want to miss this ride. For those who want to explore further, check out the art gallery denver offerings that are redefining street art and bringing global talent right to your doorstep. Art isn’t just on the walls here. It’s in the air, the streets, the conversations. And once you catch the vibe, you’ll see why Denver is fast becoming a must-visit destination for art lovers everywhere.

New to Denver and the United States, Paul Towse, known as  Tuff World,  joins our house. Paul is a self-taught British artist who focuses on crafting impeccable miniature models that often capture unnoticed elements of everyday urban life, the overlooked details people tend to ignore. He is the photogenic capsule of the things you won't remember. His attention to detail, scale to size, and love for street art make him, in our humble opinion, a must-have in your little coffee nook, your desk for a private view, or the main piece of décor next to your couch in a pedestal of your choice. the Rusty battleground by Tuff World From the city of blending the Aztecs and Colonialism with current modern influences, directly from Mexico City, " Demian (Chango) Mohar " joins us from his warehouse studio with a few limited fine art print editions to start a bourbon conversation. His work is sentimental, expressing his upbringing and surroundings; each composition reflects the past, present, future, or the mixture of a lighting dream captured in fragments. It is pop art, culture art, street art, environmental art, justified, chaotic, emblematic, and jungle art. Chango's work will always be a contemplation piece from Madrid to Miami, Basel, somewhere in Tel Aviv, and back in Mexico. we are meant to be by Demian Chango Mohar Multifaceted, iconic street pop artist BRT is a London-based creative. Born in the 1970s during the first flash of graffiti, he blends colors and techniques with a 3D twist, utilizing stencil and spray paint creations mounted to any surface. His work is a mix of social commentary that illuminates and mocks with a big smile. blah blah blah by BRT Robin Parkes , AKA "too many to mention," is having a closing show this Saturday, with a few surprises under the sleeve. We are astonished, and his work once again was blasted outside the premises. EPHEMERA opens at 6 p.m. If you happen to browse, make sure to attempt to crack the code and hit the vault section. Faceless I stand, mid-motion frozen, A paradox of chaos wrapped in peace. a land divided, my message takes flight, A bloom of rebellion in the dead of night. What do I hurl with silent might, A weapon of beauty, soft yet bright? Ephemera by Robin Parkes

Robin Who? Robin Parkes is not just an artist; he is a phenomenon. Known for his ability to seamlessly shift between styles, mediums, and even identities, Parkes has carved out a unique space in the contemporary art world. Working under multiple aliases—Time2 Panic, Kranksy, Randal Banal, Hoax, and others—Parkes has blurred the lines between artist and alter ego, creating a body of work that is as diverse as it is provocative. The Man Behind the Masks Robin Parkes’ use of multiple aliases is not merely a gimmick; it is a deliberate artistic choice that enables him to explore various facets of his creativity. Each persona represents a distinct voice, style, and perspective, enabling Parkes to push boundaries and challenge conventions in ways that a single identity might limit. Time2 Panic : Known for bold, chaotic compositions that often incorporate elements of street art and graffiti. Time2 Panic’s works are a raw, unfiltered expression of urban angst and rebellion. Kranksy : A more subdued and introspective side of Parkes, Kranksy’s pieces delve into themes of identity, memory, and the passage of time. Randal Banal : Parkes’ satirical alter ego, Randal Banal, targets consumerism, politics, and the art world itself with biting humor and clever visual metaphors. Hoax : This persona thrives on mischief and illusion, creating works that challenge viewers to question their perceptions of reality and truth. These aliases are not just names; they are fully realized identities, each with its own aesthetic and philosophical underpinnings. This multiplicity allows Parkes to engage with a wide range of audiences and themes, making his work both accessible and intellectually stimulating. A Legacy of Reinvention Parkes’s ability to reinvent himself has made him a favorite among collectors and critics alike. His works span a variety of media, from traditional canvas paintings to large-scale installations and digital art. This versatility has enabled him to maintain a dynamic presence in the art world, constantly evolving and staying ahead of the trends. One of his most ambitious projects to date is his upcoming solo show, Ephemera , opening at Rising Gallery on April 26, 2025. The exhibition promises to be a celebration of impermanence, featuring works by Parkes and his various aliases. Each piece will reflect on the fleeting nature of life, art, and identity, inviting viewers to experience the beauty of the moment. The Power of Anonymity Much like Banksy, whom he cites as an influence, Parkes uses his anonymity and multiplicity to shift the focus from the artist to the art. By operating under different names, he challenges the cult of personality that often dominates the art world, encouraging audiences to engage with his work on its own terms. This approach also enables Parkes to critique the art market and its fixation on branding and exclusivity. By creating distinct bodies of work under separate identities, he disrupts traditional notions of authorship and value, making a powerful statement about the nature of art in the 21st century. Why Robin Parkes Matters Robin Parkes is more than just an artist—he is a mirror reflecting the complexities of our time. Through his multiple personas, he explores the fragmented nature of modern identity, the tension between individuality and conformity, and the ever-changing landscape of art and culture. As Ephemera  prepares to open its doors at Rising Gallery, one thing is certain: Robin Parkes will continue to surprise, challenge, and inspire us with his boundless creativity and fearless experimentation. FIN

A few weeks ago, decide to put ink to this little idea, perhaps I should say "a keyboard" featuring artists who have something to say, deep clever artistic maniacs who bright our days with strokes of mass creation. Non began as a printmaker and painter, an immersive creator, interior decorator; she also trained in metal work and blacksmithing. Moving into general illustration, and developing a style in children’s illustration, Non sidestepped to stencils, mentored by the large and endless repertoire of UK brilliant artists. We must remember cities like Bristol, considered a mecca of streetart. Catch the Moon by NONXVI What follows is our direct interaction, random questions and a good smile. What's your name? Non Or how you want to be known as? Non, Nonxvi is my art name. What is your favorite medium? depends....charcoal, messy...I love it. Spray paint, I like the versatility and immediacy. Oil paints, a faff to get out but beautiful to paint with.  I have oil paints from when I was in Camberwell school of art, which are over 60 years old and still beautiful fantastic colors and pigments.  Watercolors, I was once told by an art tutor that I couldn't use watercolors, I can, and do, and love them. I use Cotman by Windsor and Newton.  I have drawn with sticks dipped in mud... this is a tough question, because I can, and will, use anything. my commonest medium is a popup pencil. Sharp tip, eraser at the other end, and they are cheap. In short, whatever is to hand, when I need to create... You started as a printmaker and painter, have you nibbled back into printmaking or would you? Stencils are prints. A stencil is a type of serigraph. Serigraphy is in two forms, negative and positive. The skill is seeing something, then converting it to the negative and positive in your mind, so you can break down an image. Then to do that on a wall or canvas in a series of layers. I love this part of the puzzle. In simple terms, layers are cut, sprayed, and built up to a final image.  You can start with a drawing, a painting or a photograph even, then draw each tone separately, cut the sheet then build up the image. Another way is to paint within a basic stencil, and then add on top... deciding which, is for the individual artist, and individual work. I think its important to develop three processes, drawing, cutting and painting, I'm still learning, I think and see in different ways on different days. I will be making more new stuff, but will talk about that later on.  I know music is a major influence in your life and artwork, visually speaking who are your biggest influences? Art influences... oh my!  LS Lowry. The basis of every artist has to be drawing, its the first thing we do, grip a crayon in a clenched fist and draw. Some sit at the table, some draw on walls. Lowry, made live stories in half a dozen pencil marks. and when he couldn't afford pencils he used coal. I admire his quiet observation of life. He is one of the few working class artists, that has received accolade.  Warhol. another working class hero who changed art, created his own branding and defeated the Gallery system. His understanding of advertising and marketing allowed art for  the masses. A lot of my early works, rave and gig posters, that sort of thing were produced on Xerox with no more than reduce/enlarge/tone and a packet of colored paper and scissors.  Hambleton, His drawings have definitely given me courage to pursue messy silhouettes. Jamie Reid. his artwork was everywhere in my youth. along with Peter Kennard. i had their work on my walls, and in later years Robert 3D del Naja, his work is ground breaking and he deserves more acclaim.  Banksy. I love his street art, but his drawings, those little sketches, show how important observation and the ability to record a tilt of the head, a yawn, a doze in the airport. his really early running figures in the riots of St Paul's, are fantastic, and worthy of a place in the national collection. His immersive art is also thought provoking, and he creates an atmosphere that changes your mood, makes you look, makes you remember. "Cut and Run, banned phones, and cameras". So to remember, you really had to look. and look again....and closer.  Illustrators, EH Shepard, Enid Blyton, Mabel Lucie Atwell, Beatrice Potter, Dore, Beardsley, Dran and  Hera. I read you listen to music while painting and your paintings are titled after each song, so far what's your favorite artwork created? What's your favorite song? Of my own work? that's so tough hahaha! I don't know if this makes sense. but I don't think I've painted it yet. there is a painting of a person dancing, and its called Salva Mea. the colors are dawn light, I used from a video a mate had filmed. the figure just evolved from the paint really. I remember every brushmark, and I love the soft blues and mauves. Salva Mea is by Faithless and is a chilling down song with movement.   My Favorite Song... ooh big question; it depends on what I'm working on. It's a Fine Day by Opus iii, and most of the rep really, I love Kirsty's voice and the laid back style. N-Trance 'Only love can set you free! many of my brightest and danciest works were drawn and painted to this. It's the one i get up and dance to, loosen up and get ready for work. FatBoySlim , darling Norman Cook, he's written and produced some of the greatest anthems in the past 35 years, and some of my best work is attributable to his music. Underworld Born Slippy, challenges me... but 4 of my loveliest works are directly attributed to this. Pink Floyd, Division Bell is the album I cut stencils to, along with KLF Chill Down Dawn, and anything by Enigma.  Massive attack, if I'm painting, drawing urban type stuff like planning stencils or doodling.  I know you have used different acronyms or names as an artist, I assume they all have something different to say, what makes them different from each other? Lots of us do that. Nonxvi is my usual one, Vibe is the dance stuff, and I used it for my solo exhibition because of rules around mileage between exhibitions. It also separated my fine art from the rave stuff, but actually they are now blended, so its more of a stage name. Live appearances at raves, that sort of thing. The other name, is under and NDA. basically I could get in trouble for some of the stuff. I've had to turn down press calls and tv interviews because I really don't want it generally known. Besides it's nice to be able to be hidden. The work as that alt is far more important than the person behind it.  You have a distinct style of work, that is recognizable, how long it took you to get here? Everyone says this. I don't see it. But, my first exposure to art was posters around London, and then drawing on my own clothes. I belong to an era of living art, and artists being creative people. I was 14 when I started going out, and really expressing myself by the way I looked.  Art was something I did in school, and consisted of brown pumpkins and wine bottles. Whereas I've always loved movement, lighting, faces and contrast. When I started exhibiting in pubs aged about 16 / 17 it was my photography that was on the walls. My first painting sale was a child soldier in the Artist for the Future on the South Bank in London. I was 18. Thinking about it, I suppose that child's face is very similar to the faces of children I do now. A few weeks after that exhibition, I went to New York, and walked through the streets of Harlem and the Bronx...and a whole new world unfolded.  I kept up art, learning processes, dress making, design, pattern cutting, silversmithing, screen-printing, charcoal making, metal work, welding, blacksmithing, painting, pencil drawing etc. I even studied a lot of art history. Nothing is ever wasted.  What is your favorite paint color? pink As an artist, what is next in your pipeline, anything exciting? Always. I am currently working on a series of Illustrations for a book of poetry. And I've got ideas running in my head for something completely different than you have seen before. I have Live Painting at Weston Super Mare this July, pared down, but very much me.  I'm surprised there’s not much information about your mural work, stencil, or street art, are the fumes finally getting to you? haha... I've been taking time out recently.  My last big murals were in Leistival September of 24. Last summer I clocked up, Weston, Westival, sets and live painting. Portsmouth, Leicester, Cheltenham,  RIVINGTON STREET! next to the Banksy, opposite Jef Aerosol, LEAKE STREET! STOKES CROFT, Bristol... twice...!!! also had lots of charity auctions on, they take time.   Have a look at my instagram And of course a fair few of my street stuff is under NDA, so you won't find them or be able to tell...  Pembrokeshire is perhaps one of the most beautiful counties in Wales, the tranquility must be overwhelming but also a relief from the London buzz…. yes. there is point on the journey home, just out of Swansea, and around Carmarthen Bay, that my sense of calm returns. However I love the buzz of London, Bristol, Brighton and everywhere I travel to. There is a good amount of art galleries in Pembrokeshire, how is the art scene?  Breakout Gallery is my gallery, they represent me here. they have nurtured me, pushed me and opened up the local art scene in general. Thanks to Breakout, I had my first solo exhibition, and have exhibited around the town and county.  The philosophy is taking art out of galleries, and bringing it to festivals, and street exhibitions. Its public art. They are self funded, but that gives us all freedom that public funding wouldn't. As a gallery we also do music and performance art, that is artist painting, while people watch and we also do public participation art.  Pembrokeshire is famous for art, like Cornwall. but mostly seascapes, there are three coastlines, and landscapes, we have mountains too.  There are diverse arts, stone work, metal work, and an artist who makes beautiful beach art.  I think we are potentially approaching a new global recession and art is a luxury to many, as an artist do you have any collaboration ideas or projects that will benefit the community? In the UK, and in Wales, thankfully we have a socialist government, so public funding is becoming available again for community art jobs. Nobody should be expected to work for free. Collaborations, possibly exhibitions, maybe.  Is art a luxury? I suppose there is a point where bills, food, living, takes precedence, but art sold well in the 2000s, and I think maybe we should look at values, over value. I certainly feel that the art world has eaten itself to some extent, and is too reliant on safe instead of new, however fashion is also going through a dull patch. We need a new punk.  Finally, tell me a catchy phrase!  There are no rules.  FIN

European Street Art: A Legacy of Political Movements European street art has its roots in political activism and countercultural movements. Emerging strongly in the 1960s and 1970s, it was often used as a tool for protest and resistance. Countries like France, Italy, and Germany saw walls adorned with slogans and murals addressing issues like anti-fascism, workers' rights, and environmentalism. The Berlin Wall, for instance, became a global symbol of freedom and division, covered in graffiti calling for unity and change. North American Street Art: Born from Hip-Hop and Urban Culture In North America, street art evolved alongside the rise of hip-hop culture in the 1970s, particularly in cities like New York and Philadelphia. Graffiti, the precursor to modern street art, was a way for marginalized youth to claim space in cities that often ignored them. It was less politically charged in its early stages and more focused on personal expression, tagging, and stylistic experimentation. Over time, it grew to encompass broader themes, but its origins remain tied to urban identity and self-representation. European Street Art: Philosophical and Historical Depth European street art often delves into philosophical, historical, and existential themes. Artists like Banksy, Blu, and JR use their work to critique societal structures, explore human rights, and question global systems. European street art frequently draws on classical art traditions, blending them with modern-day commentary to create works that are both visually compelling and intellectually stimulating. For example: Banksy’s works often challenge capitalism, war, and authority, using irony and satire to provoke thought. Italian artist Blu creates large-scale murals that critique globalization and environmental destruction. North American Street Art: Individuality and Social Justice While addressing societal issues, North American street art tends to focus more on individuality and social justice. Themes of race, identity, and community are frequently explored, reflecting the region’s diverse cultural makeup. Artists like Shepard Fairey (known for the "Hope" poster) and Keith Haring have used their art to address equality, LGBTQ+ rights, and political activism. The content in North America often feels more personal, with a focus on storytelling and self-expression. This reflects the region’s history of using art as a medium for marginalized voices to be heard. European Street Art: A Blend of Tradition and Modernity European street art often incorporates elements of the region’s rich art history, blending Renaissance techniques, surrealism, and classical motifs with modern graffiti. The result is a fusion of old and new, reimagining ancient themes in contemporary settings. Cities like Paris, Berlin, and Lisbon are known for their intricate, large-scale murals that often feel like open-air galleries. North American Street Art: Bold and Urban North American street art leans heavily on bold, graphic styles that reflect the urban environments in which they are created. Bright colors, exaggerated typography, and dynamic compositions are hallmarks of this aesthetic. The influence of hip-hop and pop culture is evident, with artists often referencing music, fashion, and film in their work. Murals in cities like Los Angeles, Chicago, and New York are often raw, energetic, and unapologetically modern. European Street Art: A Focus on Collective Narratives In Europe, street art often serves as a collective voice for societal issues. It’s not uncommon to see murals that address global concerns like climate change, immigration, or political corruption. The art often feels collaborative, aiming to resonate with a broader audience and spark dialogue on shared challenges. North American Street Art: A Platform for Personal Stories In contrast, North American street art often feels deeply personal. It’s a platform for artists to share their stories, struggles, and triumphs. While it does address societal issues, the focus is often on how those issues impact individuals and communities. This personal lens creates a sense of intimacy and relatability that resonates deeply with viewers. Europe: A Cultural Landmark In Europe, street art is often embraced as part of the cultural fabric of cities. Governments and organizations frequently commission murals and cities like Berlin and Lisbon have become known for their thriving street art scenes. Street art is seen as an enhancement to the urban landscape, adding color and meaning to historic streets. North America: A Form of Resistance In North America, street art retains its roots as a form of resistance and rebellion. While some cities like Miami (with Wynwood Walls) have embraced it as a legitimate art form, street art in many areas is still seen as subversive. This tension between legality and illegality adds to its raw, unfiltered appeal. Conclusion: European and North American street art are distinct yet interconnected. While European street art leans towards philosophical, collective narratives with a historical twist, North American street art thrives on individuality, boldness, and social justice themes. Both forms, however, share a common goal: to challenge viewers, beautify urban spaces, and give voice to the voiceless. As street art continues to evolve, these regional differences will undoubtedly blend and grow, creating an even richer global tapestry of urban expression. Whether you’re strolling through the historic streets of Berlin or the bustling avenues of New York, street art remains a powerful reminder of the human need to create, communicate, and connect.

Legendary artist Robin Parkes has many names and is known for his multifaceted works, the man needs no introduction, he is a Pandora box. His work contains intricate details to be cipher between the lines and codes as old as the Sumerian language. In a few days we are lucky to be presenting a new solo show on his behalf, "Ephemera" featuring a few names and showcasing mainly works on paper. I spoke to the man in a series of texts and he agreed to partake in this little venture of random questions for your reading pleasure. Here is the exchange. 10 by R.P What is your name? RP: On this occasion, you can call me Franksy Is hard to maintain and keep a record of all your personas or is it a natural emotional transition as you create? RP: Evrything is planned, nothing is a coincidence. each of my art personas represent a singular part of my personality. For example; Etch is my inner pain, AKA- my imagination, Parksy is my childhood and Franksy is my terrible sense of humor. Who is your favorite artist? RP: asking me that is like asking a doctor to name his favorite disease. I don't really have one, they are all pretty horrible. To be honest I don't like art. To me is purely a method of releasing creative pressure from my brain. I take no joy in it, and neither should you. How Franksy started? RP: it was a joke, and still is. To the thousands of "Banksy" artists out there. Every town has one, every type of art has one. At the time I felt my artwork needed something to spice it up, so I poured a bottle of Franks red hot sauce into a can of paint. The rest is history. Sounds painful, any funny anecdotes while creating? R.P: Dabomb hot cause is the worst, in the eye is absolute agony! any other painful stories relating to Dabomb on the palm of my hand and subsequently another part of my body are entirely false! But if true, it would be a pain beyond imagination. Is your creative process messy or an organized methodical execution? RP: It is utter chaos...it has to be. "from the storms of chaotic rage sail ships of universal beauty" you won't find that quote anywhere. I just made it up What is your favorite medium? R.P: In no particular order...Hot sauce, Pigs' blood, Liquid death, and my own tears. FIN

One late night, I thought about the simple idea of writing some random interviews with artists of interest, true people from different backgrounds with a peculiar situation, way of life, or interesting enough to read about, general people with something to say. It is not a new way; I am not trying to reinvent the wheel, but at last, the people will be fresh and perhaps a bit fumy. I decided each interview would be different versus a random boring questionnaire without getting too political or religious so I wouldn't get killed between the lines of a current MAGA circus. Here is the extract. What's your known Name, aka, seudo? B.- Although I was known as APS (ARTistique PLAStique spasTIQUE) in the late '90s and as ITHINKNOTHING from the mid-2000s onwards, my close circle has been calling me Baransky for a long time. I can't deny the existence of other identities that remain unknown to most, except for those who need to know. After all, each of them has played a significant role in shaping me! What inspires you? B.- The contribution of a small touch, even if not today, to enable great changes, to take place maybe in the future. What have you learned along the way, what shaped you as an artist? B.- As human beings, choosing understanding, showing care, patience, listening, sharing, helping, and all forms of kindness—with a quiet smile and sincerity—despite all the negativity we experience, is neither easy nor something that happens quickly. It is probably a small but important part of the never-ending learning process. As both an artist and a human, I can say that the injustice, inequality, and discrimination that exist in the world, along with their negative effects on societies and individuals, especially despite all the pain I have personally experienced or felt through empathy, the persistence of hope against all these absurdities continues to shape me. We live in difficult times, how do you get by? B.- With hope and faith that comes from the heart... What is next? B.- The answer is behind the mustache! 2 + 2 = ? B.- 2 + 2 = 2 X 2 = 4  (Equality *social *political *economic *civil)  Favorite color? B.-I guess especially nowadays It is Black! It becomes even more mesmerizing when formed by chromatophore cells which is we have not got. What is your biggest achievement as a person/ artist? B. I guess this could still be breathing for a purpose What is your opinion about AI? B. - "Before I close this conversation, is there anything you want to ask or say?" AI Responded: Art is the playground of those who never stop asking questions. If one day AI manages to imitate Banksy walls, Van Gogh’s brushes, or your perspective, perhaps the greatest artwork will be humanity still asking, ‘But is this real?’ So, never stop questioning, thinking, and filling the world with irony. Whenever you want, I’m here." How is the art scene in your area? B.-Paris? I can say that It created an impact that I will never forget. Have you found a niche for your work? B.- No, I have not found it. I prefer to focus solely on the creative part. Is working with galleries difficult, or is difficult to get represented? B.- I don't think it's very common to come across the right people and be able to dedicate oneself to noble causes What do you think galleries are lacking? B.- Although it may vary depending on the gallery, when we generally evaluate the subject in the context of galleries, I feel that the fact that their commercial concerns come before their understanding of art and passion for it leads to their sincerity always being questionable, resulting in a lack of trust and belief. Day or night? B.- Nights and the early hours of the day, where long, sleepless nights converge and are covered with the sounds of birds. Does any book come to mind? B.- I would say George Orwell,1984. Especially nowadays young folks talks about that in Turkey.. Good for them if they read it! Coffee, tea, or martinis for breakfast? B.- Coffee, please! As an artist you think is important to travel? B.- Are you asking me this question as an artist, who has been legally deprived of freedom of movement by the French authorities for the past 25 months? Ask the same question to somebody who works in the French administration! Let's see what they think about this. Do you attend your exhibits? B.- Sometimes I like to join as a visitor like everyone if there is a possibility If you could make dinner plans to have a chat, which characters ( real, fictional, dead, or alive) would you invite? B.- It is possible to give very different answers to this question. I think the important thing is the purpose for which the table will be set for dinner. If it's just to satisfy longing, I would primarily wish to set a table with my family, friends, and those beautiful people I lost, whom I haven't seen for a long time and have missed, and who I know I will miss more and more as time goes by. However, if the table I wish to set is for something much greater than my desires, to serve a higher purpose for all humanity and the planet, then the answer to the question would completely change. If we evaluate the situation with a realistic perspective for this purpose, if you do not receive an invitation from us within the next 5 years, we thank you in advance for your understanding. Who do you admire? B.- Despite all the disappointments, I watch with admiration those who quietly strive positively to change the world as much as they can. Thought of the day? B.- TH!NK FIN